2024
July

Medium: Vogue
Publication Date: July 24, 2024
Title: Céline Dion Goes Full Tár Ahead of the Olympics Opening Ceremony
Summary: In a Vogue feature on Céline Dion’s comeback at the Olympic Games in Paris, her commanding appearance in bespoke suits is compared to the iconic look of Lydia Tár – a role for which Cate Blanchett was fitted at the atelier of Egon Brandstetter.
2024
July
Medium: Berliner Morgenpost
Publication Date: July 2, 2024
Title: Masterful Tailoring
Summary: The Berliner Morgenpost’s MoPo Navigator presents Egon Brandstetter as one of three remaining bespoke tailors in Berlin. With over 8,000 cloth variations and a style described by the paper as “refined and elegant with an Italian sensibility,” he combines traditional craftsmanship with contemporary aesthetics. In addition to fully bespoke garments, the atelier also offers made-to-measure with over 200 adjustable fitting points.
2024
June
Medium: Deutschlandfunk Kultur – Podcast “Im Gespräch” with Britta Bürger
Publication Date: June 10, 2024
Title: Bespoke Tailor Egon Brandstetter – The Perfect Suit
Summary: In conversation with Deutschlandfunk Kultur, Egon Brandstetter speaks about his early calling, his training in London, Vienna and Paris, and his path to Berlin, where he runs one of the few remaining authentic bespoke tailoring workshops. The programme offers insight into his working methods, the depth of client consultation, and his appearances in the film industry – most recently in the six-time Oscar-nominated Hollywood film TÁR with Cate Blanchett, for which a central scene was shot in his Berlin atelier. Since 2015, Brandstetter has trained ten apprentices to qualification – a testament to his commitment as one of the few remaining training workshops in the bespoke tailoring trade.
2024
March/April

Medium: M. Müller & Sohn Magazine
Publication Date: March/April 2024
Title: Hollywood in the Berlin Atelier
Summary: The trade magazine M. Müller & Sohn profiles Egon Brandstetter in a four-page feature as one of the few genuine bespoke tailors in Berlin. The article offers insight into the daily work of sixteen-hour days, the partnership with Marc-Martin Straub, and the atelier’s role as a filming location for the Hollywood production TÁR. A telling detail: 300 applications are received annually for the apprenticeship positions – a measure of the craft’s enduring appeal.
2023
December

Medium: Berliner Zeitung
Publication Date: December 24, 2023
Title: From Chic to Shabby: These Berlin Films Have Style
Summary: The article highlights the visual style of Berlin-set films, including TÁR (2022). In the film, Cate Blanchett’s character Lydia Tár visits bespoke tailor Egon Brandstetter, whose craftsmanship contributes to the film’s sartorial aesthetic and the portrayal of Berlin’s fashion world.
2023
November
Medium: Permanent Style
Publication Date: November 6, 2023
Title: Berlin: A Menswear Shopping Guide
Summary: In the Berlin Menswear Shopping Guide by Permanent Style, Egon Brandstetter is featured as a bespoke tailor who gained wider recognition through his appearance in the film TÁR. The article notes his fifteen years of crafting bespoke suits and shirts in Berlin, supported by a team of apprentices. His career began at the English National Opera in London and the Vienna State Opera, with further engagements at the Salzburg and Bregenz Festivals.
2023
June

Medium: Frankfurter Allgemeine Magazin
Publication Date: June 11, 2023
Title: The 50 Most Important Germans in Fashion
Summary: The Frankfurter Allgemeine Magazin lists Egon Brandstetter among the fifty most important Germans in fashion. The entry highlights his role in the film TÁR – as the bespoke tailor seen on screen conducting fittings with Cate Blanchett. Berlin need not defer to Savile Row: Brandstetter offers precisely what the coronation of King Charles III brought back into public consciousness – genuine bespoke tailoring for men.
2023
April

Medium: Tip Berlin
Publication Date: April 14, 2023
Title: Bespoke Tailor Egon Brandstetter: Perfection All the Way to Hollywood
Summary: Tip Berlin profiles Egon Brandstetter as one of three remaining bespoke tailors in Berlin. The article follows him through his working day on Chausseestraße and traces his path from apprentice in Linz to the English National Opera in London, through Vienna and Paris, to self-employment in Berlin since 2007. Each fully bespoke suit requires approximately 80 hours of handwork. Business partner Marc Straub joined in 2012, introducing a made-to-measure line alongside the bespoke offering. For the film TÁR, Brandstetter played himself: director Todd Field filmed for four days in the atelier and subsequently commissioned a suit for his own appearance at the Venice premiere.
2023
April

Medium: Berliner Zeitung
Publication Date: April 3, 2023
Title: One of Berlin’s Last Bespoke Tailors: “One Should Never Imitate a Style”
Summary: In an extensive interview with the Berliner Zeitung, Egon Brandstetter speaks about his diverse clientele – from artists and musicians to professors and businesswomen – and emphasises that bespoke tailoring is no longer the preserve of power brokers. He discusses details such as the importance of buttonhole placement for fit and speaks about his personal background: an Austrian from a working-class family, shaped by his time at the English National Opera.
2023
March
Medium: Tagesspiegel
Publication Date: March 26, 2023
Title: Tailor Egon Brandstetter in TÁR: A Berlin Bespoke Suit for Hollywood
Summary: The article profiles Egon Brandstetter, a Berlin bespoke tailor who unexpectedly appeared as himself in the film TÁR, fitting a bespoke shirt for Cate Blanchett’s character Lydia Tár. Despite initial reservations, Brandstetter seized the opportunity and speaks about the importance of the craft in Berlin. He notes that bespoke tailoring and fashion receive too little recognition in the city, and reflects on his role as one of the few remaining master tailors in Germany practising the craft at the highest level.
2023
March

Medium: Jörg Thadeusz – Der Talk – A Podcast by WDR 2
Publication Date: March 22, 2023
Title: Egon Brandstetter, Bespoke Tailor
Summary: In the Oscar-nominated film TÁR, he appears in a cameo as himself, assisting Cate Blanchett with a fitting: Egon Brandstetter is one of the few fully bespoke tailors working in Germany and knows the secret of a perfectly fitting suit and the right appearance.
2023
March

Medium: X – @blanchettcom – Cate Blanchett Fan
Publication Date: March 13, 2023
Title: Cate Blanchett and Director Todd Field at the Vanity Fair Oscars Party #TÁR
Summary: Todd Field and Cate Blanchett attended the Vanity Fair Oscar Party on 12 March 2023, hosted by Radhika Jones at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. Todd Field, whose film TÁR received six Oscar nominations, wore a bespoke dinner jacket by Egon Brandstetter; Cate Blanchett wore Louis Vuitton.
2023
March
Medium: Der Standard
Publication Date: March 11, 2023
Title: Bespoke Tailor: “Dress Codes Are a Decision-Making Aid”
Summary: Egon Brandstetter, one of the few fully bespoke tailors in Germany, gained wider recognition through his role in the Oscar-nominated film TÁR alongside Cate Blanchett. In an interview, Brandstetter discusses the function of dress codes, the elegance of the suit, and the challenges of his craft. His atelier in Berlin features as a central location in the film, underscoring both his dedication and the distinction of his work.
2023
March

Medium: Deutsche Welle – Program ¡Aquí estoy! with Pía Castro
Publication Date: March 8, 2023
Title: Handcrafted Bespoke Tailoring for Hollywood | ¡Aquí estoy!
Summary: In the Spanish-language programme ¡Aquí estoy! on Deutsche Welle, reporter Pía Castro visits the atelier on Chausseestraße – close to the former Berlin Wall, opposite the new BND headquarters. The occasion is the film TÁR, whose opening scene was shot in the workshop: director Todd Field discovered the location through his costume designer. In conversation with co-founder Marc-Martin Straub, it becomes clear that the clientele extends well beyond business executives and politicians – commissions also come from the technology sector. Straub himself came to tailoring from the oil industry, prompted by the desire for a suit of his own.
2023
February

Medium: Audible Studios – Podcast “The Beautiful Things. Objects, Design & History” with Jörg Thadeusz
Publication Date: February 16, 2023
Title: Episode 18 – The Bespoke Suit
Summary: It moulds to the body like a second skin, presents its wearer in the best possible form, and accompanies the great occasions in life: the bespoke suit. Sewn by hand over the course of days by masters such as Egon Brandstetter, one of the last genuine fully bespoke tailors in Germany. Each Thursday, Jörg Thadeusz presents a beautiful object and its history in this podcast.
2023
February
Medium: Deutschlandfunk Kultur – Podcast “Im Gespräch” with Britta Bürger
Publication Date: February 14, 2023
Title: Bespoke Tailor Egon Brandstetter – The Perfect Suit
Summary: Egon Brandstetter knew by the age of ten that he wanted to become a tailor. After years of training in London, Paris and Vienna, the Austrian now crafts bespoke suits in Berlin – not only for gentlemen, but most recently for Cate Blanchett as well.
2023
January

Medium: WWD (Women’s Wear Daily)
Publication Date: January 27, 2023
Title: The Bespoke World of German Tailor Egon Brandstetter
Summary: Egon Brandstetter, a German bespoke tailor, gained unexpected renown after his atelier appeared in the film TÁR with Cate Blanchett. Initially reluctant to appear on screen, he changed his mind upon learning of Blanchett’s involvement. Brandstetter’s career spans from military service in Austria to positions at the English National Opera and the Vienna State Opera. Today, together with Marc Straub, he runs an atelier in Berlin offering both fully bespoke and made-to-measure suits and shirts.
2023
January

Medium: Frankfurter Allgemeine Zeitung Magazine
Publication Date: January 19, 2023
Title: A Cloth for the Great Narratives
Summary: FAZ feuilleton editor Simon Strauß profiles Egon Brandstetter across two pages of the FAZ Magazin. The article traces his path from apprentice in ladies’ and gentlemen’s tailoring in Linz, through the English National Opera in London and the costume workshops of Europe, to Berlin, where Brandstetter arrived in December 2001. The Hollywood production required four full days of filming – the entire street closed off – for the opening scene of TÁR in his atelier. Director Todd Field subsequently commissioned a suit of his own for the gala premiere in Venice. A single buttonhole demands 60 stitches and 20 minutes of work – a fully bespoke suit comprises over 10,000 stitches.
2023
January

Medium: GQ Magazine UK
Publication Date: January 16, 2023
Title: Cate Blanchett’s Lydia Tár Is a Menswear Icon
Summary: Cate Blanchett’s portrayal of Lydia Tár in the film TÁR showcases the character’s masculine style, conceived by Oscar-nominated costume designer Bina Daigeler. The wardrobe – including bespoke suits by Egon Brandstetter – reflects Lydia’s controlled and austere aesthetic. As Tár’s life unravels, her clothing mirrors the inner conflict. Daigeler’s designs underscore the character’s arc, bridging precise, structured pieces with looser elements that signal her shifting state of mind.
2023
January
Medium: Financial Times
Publication Date: January 12, 2023
Title: Tár – Cate Blanchett Is Extraordinarily Magnetic in a Film of Rare Scale
Summary: Todd Field’s TÁR presents Cate Blanchett as Lydia Tár, a celebrated conductor, exploring themes of abuse of power and cancel culture. The film opens with an interview highlighting Tár’s achievements, including a bespoke suit by Egon Brandstetter. As Lydia navigates the challenges of her career, her abuse of authority is laid bare. Blanchett’s extraordinary performance stands at the centre of this complex, compelling and profoundly crafted work of cinema.
2023
January

2023
January/February

2023
January

2022
November

Medium: Harper’s BAZAAR
Publication Date: November 3, 2022
Title: Tár’s Bespoke Suits Will Make You Weep
Summary: The article examines how costume in the film TÁR reflects the complex personality of protagonist Lydia Tár. Costume designer Bina Daigeler explains that Tár’s wardrobe – including bespoke suits by Egon Brandstetter – symbolises her ambition and authority. The sartorial choices underscore her determination to command a male-dominated world of classical music. The clothing conveys her elegance and perfectionism as her life progressively unravels.
2022
November

Medium: GQ
Publication Date: November 3, 2022
Title: How Lydia Tár Became Our Favourite Problematic Menswear Icon
Summary: The article analyses the costumes of Lydia Tár, played by Cate Blanchett, in the film TÁR and how they reflect her complex personality. Costume designer Bina Daigeler explains that Tár’s wardrobe – bespoke suits and minimalist accessories – embodies her authority and complexity. A key scene shows Lydia during a fitting at the atelier of German tailor Egon Brandstetter, emphasising her commitment to classical elegance. The costumes convey Lydia’s exacting standards.
2022
October

Medium: Cate Blanchett Official Website
Publication Date: October 31, 2022
Title: Cate Blanchett on the Costumes in TÁR
Summary: The article explores the costumes in TÁR and how they define Lydia Tár, played by Cate Blanchett. Costume designer Bina Daigeler and Blanchett explain that Lydia’s wardrobe – bespoke suits and minimalist accessories – underscores her authority and complexity in the world of classical music. A key scene depicts Lydia during a fitting with German tailor Egon Brandstetter, highlighting the significance of her carefully considered wardrobe.
2022
October

Medium: Vanity Fair
Publication Date: October 31, 2022
Title: In TÁR, the Suits Make the Maestro
Summary: The article examines how the costumes in TÁR define protagonist Lydia Tár, played by Cate Blanchett. Costume designer Bina Daigeler explains that Lydia Tár’s wardrobe – impeccably tailored suits, burgundy pullovers and occasional scarves – is deliberately chosen to reflect her inner world and her standing in classical music. The clothing draws on menswear conventions, dispensing with make-up and jewellery to underscore her authority. A key scene shows Lydia during a fitting with German tailor Egon Brandstetter, further emphasising the importance of her wardrobe. The article demonstrates how every sartorial detail informs both character and narrative.
2022
October

Medium: The Hollywood Reporter
Publication Date: October 23, 2022
Title: The Directors Making a Fashion Statement During Awards Season 2022
Summary: The article spotlights directors such as Baz Luhrmann, Luca Guadagnino, Maria Schrader and others who made a sartorial impression on the red carpet during the 2022 awards season. Among those noted: Todd Field in designs by Egon Brandstetter. The trend marks a departure from the traditionally understated style of filmmakers towards bolder, more expressive dressing.
2022
September

Medium: Standard Film Company/EMJAG Productions
Publication Date: September 28, 2022
Title: TÁR – Official Trailer [HD]
Summary: The official trailer for TÁR presents Cate Blanchett as Lydia Tár, a celebrated yet controversial figure in the world of classical music. The film explores her power and downfall as she confronts the consequences of her actions. The trailer also features scenes from the film’s opening sequence, in which Egon Brandstetter is seen in his Berlin atelier crafting a bespoke suit for Lydia Tár.
2022
July
Medium: Welt am Sonntag ICON
Publication Date: September 4, 2022
Title: Light Touch
Summary: Philip Cassier profiles Egon Brandstetter in the ICON supplement of Welt am Sonntag as a tailor who consciously works against the mainstream of his trade: where many colleagues favour heavy cloths, Brandstetter prefers lighter fibres – his jackets drape around the body without imposing themselves. The article traces his path from arriving in Berlin in 2008 and meeting early clients in cafés to his present atelier on Chausseestraße. The partnership with Marc-Martin Straub proved a decisive turning point. Alongside fully bespoke tailoring – requiring approximately 80 hours of handwork per suit – the atelier offers a made-to-measure line at a lower entry price, overseen by the same expertise.
2022
July
2022
February

2021
March/April

2019
August
Medium: The Iconist – Online-Angebot von ICON, dem Stilmagazin von WELT AM SONNTAG
Publication Date: August 9, 2019
Title: „A Bespoke Suit Conceals Where Necessary“
Summary: The article explores the art of bespoke tailoring through Egon Brandstetter, who crafts hand-tailored suits in his Berlin atelier. Brandstetter explains that each bespoke suit is individually adapted to the wearer, achieving a perfect fit through specialised handwork. The process is intensive and personal, requiring approximately 80 to 100 hours of work. He describes his style as a blend of Italian elegance, French haute couture and German precision.
2019
February

Medium: BILD
Publication Date: February 17, 2019
Title: New BND Building in Berlin: The Agents’ Spaceship Has Landed
Summary: The new BND complex in Berlin-Mitte presents itself as a formidable high-security facility. Residents of the quarter find the building unsettling, with its high walls and security measures contributing to a surreal atmosphere. In the immediate neighbourhood, bespoke tailor Egon Brandstetter crafts his suits with a view of the BND grounds – a proximity that gives him pause.
2018
April
Medium: Berliner Morgenpost
Publication Date: April 1, 2018
Title: A Quarter with 4,000 Spies: How the BND Headquarters Is Transforming Mitte
Summary:
On Chausseestraße, the new BND headquarters is visibly reshaping the quarter. The article examines the emergence of luxury apartments and new businesses around the building, and the hopes of local tradespeople – among them bespoke tailor Egon Brandstetter – of gaining some of the 4,000 BND employees as clients. Yet it remains uncertain how much these staff will engage with the neighbourhood, given that many leave the complex via the underground car park.
2018
March/April

Medium: Sat.1
Publication Date: March/April 2018
Title: Start Up! Who Will Be Germany’s Best Founder?
Summary: In Start Up! Who Will Be Germany’s Best Founder?, Carsten Maschmeyer and his team guide fourteen entrepreneurs from concept to market readiness. Egon Brandstetter contributed as a textiles, tailoring and fashion expert, supporting the eventual winner of the first season, Jennifer Schwade, in developing her prototype.
2018
February
Medium: Tagesspiegel
Publication Date: February 21, 2018
Title: Berlin-Mitte: The New BND Headquarters and Its Neighbours
Summary: The article examines the impact of the new BND headquarters on the surrounding quarter in Berlin-Mitte. The forbidding complex divides the neighbourhood between old and new. Bespoke tailor Egon Brandstetter, working nearby, provides a striking contrast: in his light-filled atelier he works in full transparency. While the BND seals itself off, Brandstetter’s work symbolises the quarter’s transformation and modernisation – bridging cosmopolitan fashion with traditional craftsmanship.
2017
October
Medium: The Iconist – Online offering of ICON, the style magazine of WELT AM SONNTAG
Publication Date: October 29, 2017
Title: When Germany’s 40 Finest Tailors Convene
Summary: The article describes a gathering of approximately forty of Germany’s finest tailors in Hamburg, among them Egon Brandstetter. The event provided a forum for the exchange of cutting techniques and the pursuit of the highest standards of sartorial craftsmanship. The tailors are grouped by approach: some work exclusively by the fully bespoke method, while others also offer made-to-measure. The meeting fosters collaboration and knowledge transfer within a small, specialised community.
2017
March
Medium: WELT AM SONNTAG
Publication Date: March 4, 2017
Title: Making the First Stitch
Summary: In the WELT column “Findling,” Philip Cassier reports on fourteen-year-old Ida, a grammar school student completing her work placement at Egon Brandstetter’s atelier on Chausseestraße. Her first hand-sewn buttonholes impress the master – some apprentices require years to achieve the correct form. The atelier receives approximately fifty applications for its two apprenticeship positions, most from candidates with university entrance qualifications or completed degrees – an unusually high level of interest for a niche craft.
2015
March
Medium: Tagesspiegel
Publication Date: March 26, 2015
Title: The Work of One’s Own Hands: What Do These Hands Create?
Summary: The article presents Egon Brandstetter, an Austrian bespoke tailor with over 25 years of experience in traditional tailoring and pattern cutting. At his atelier on Chausseestraße, he crafts bespoke garments of the highest standard. A single suit requires several thousand hand stitches and 60 to 80 hours of work, with the client guided through detailed consultation and multiple fittings.
2014
November

Medium: Cee Cee
Publication Date: November 20, 2014
Title: Guillaume D’Hommée Recommends: Egon Brandstetter
Summary: The article pays tribute to Egon Brandstetter, a bespoke tailor who embodies the craft with dedication and expertise. In his atelier in Berlin-Mitte, each suit is individually crafted with 12,000 hand stitches and 80 hours of handwork. After positions in London, Rome, Florence, Paris and Vienna, he has perfected his own style in Berlin – far removed from fast fashion, rooted firmly in genuine craftsmanship.
2014
March
Medium: Tagesspiegel
Publication Date: March 26, 2014
Title: BND in Berlin-Mitte: The First Agents Move In – The Quarter Transforms
Summary: The article describes the arrival of the first 170 BND employees at the new headquarters in Berlin-Mitte and the changes this brings to the quarter. Bespoke tailor Egon Brandstetter, whose atelier stands opposite the BND complex, remains sceptical about whether the intelligence staff will become clients, placing greater hopes on the residents of newly built luxury apartments. He notes the contrast between his transparent working methods and the discreet nature of BND operations.
2014
March

Medium: Berliner Zeitung
Publication Date: March 14, 2014
Title: In Berlin, Bespoke Tailors Are Dying Out
Summary: The article profiles Egon Brandstetter as one of the last remaining bespoke tailors in Berlin, crafting suits with exceptional precision. With deep respect for the traditional tailoring craft, he consciously sets himself apart from industrial mass production, which in his view rarely meets the standards of quality and fit. Brandstetter understands the bespoke suit as the result of an intensive dialogue with the client – individually adapted to physique, style and personality. Despite the challenges of the profession, he pursues his dedication to bespoke tailoring with undiminished commitment.

